The role of running as a form of identity in women's autobiographies

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Erika Kapus

Abstract

Based on autobiographical volumes, blog posts, and social media profiles, I examine the identity formation strategies of women runners: how middle-aged women become runners, how they build themselves up on the running track, and how their runner-identity fits into their narrative of their own lives. Women who are not runners take up running to regain control over their bodies, to reclaim or even to finally create their own lives. Women run with strollers, hire babysitters in order to have a free hour to run, or wait until the kids can be left alone and then just put on running shoes. Women who are not writers write a book about how running becomes an integral part of their identity. Women build a running profile on social media, while constantly articulating specific female experiences, female existential experiences. They run in female bodies, menstruating, pregnant, post-partum, with breast cancer, or with panic disorder. Szilvia Lubics, Zsuzsanna Sallai, Ildikó Száz and Rita Tamás have all published a volume about their lives in which running plays a central role. The books have been published by small publishers, or even privately, and the characters often speak from the margins, often with a trauma narrative. Who writes these texts and for whom? For what purpose? Who talks who runs, who raises the child meanwhile? I look for the answer to the question of how these women find a voice to speak, whose voice they speak in, what kind of (perceived or real) external expectations the runner-women's texts respond to. 

Article Details

How to Cite
Kapus, Erika. 2025. “The Role of Running As a Form of Identity in women’s Autobiographies”. Interdisciplinary EJournal of Gender Studies 15 (1-2):62-84. https://doi.org/10.14232/tntef.2025.1-2.62-84.
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Author Biography

Erika Kapus, MTA Könyvtár és Információs Központ

Kapus, Erika works at the Library of the Hungarian Academy of Sciences. In 2021, she defended her PhD dissertation entitled "Border and Border Identities in Minka Czóbel's Oeuvre" at Eötvös Loránd University, Budapest. Her research interests include turn-of-the-century women's literature and its publication platforms, primarily Minka Czóbel's oeuvre, unpublished manuscripts, as well as the female roles, female sexuality, and the voices – and silences – of the female body at the turn of the century. As part of her research interest, she worked as a project assistant of Women Writers and Their Publication Forums in Hungary at the Turn of the Century (National Research, Development and Innovation Fund) between 2013-2015. As a librarian, she focuses on digitalization, the construction of electronic archives and repositories and on developing tools and methods for digital humanities. E-mail: kapuse@gmail.com