A Contemporary Reading of the Autobiography of Saint Teresa of Avila in "I Die for I Die Not: the Double Life of Teresa", Drama by Paco Bezerra

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Eszter Katona

Abstract

Teresa of Ávila (1515-1582), also called Saint Teresa of Jesus a Spanish nun and founder of the Discalced Carmelite Order of the Holy Cross was the first female religious teacher in the Roman Catholic Church. Saint Teresa's books can be read as a kind of autobiography, although it was only her first, written at the age of 47, that was given the title Autobiography by posterity, a revealing and introspective text. Teresa's literary works have inspired numerous artists from the 16th century to the present day. This includes the Spanish playwright Paco Bezerra (1978), who reimagines the nun in the present era in his play Me muero porque no me muero: la vida doble de Teresa (2022, I Die for I Die Not: the Double Life of Teresa). In order to reconstruct the figure of the saint in dramatic form, the author has drawn the Autobiography of 1565 and transposed it into a work of fiction. After a brief review of the definition of the autobiographical form and some examples from world literature, and then of women's autobiographies in Spanish literature, this paper will examine the work of Saint Teresa of Ávila, its enduring influence, and the possibilities and characteristics of adapting the Autobiography across genres and periods.

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How to Cite
Katona, Eszter. 2025. “A Contemporary Reading of the Autobiography of Saint Teresa of Avila in ‘I Die for I Die Not: The Double Life of Teresa’, Drama by Paco Bezerra”. Interdisciplinary EJournal of Gender Studies 15 (1-2):40-61. https://doi.org/10.14232/tntef.2025.1-2.40-61.
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Author Biography

Eszter Katona, University of Szeged, Hungary

Eszter Katona graduated from the Faculty of Humanities of the University of Szeged (2000), where she received her doctorate in history in 2005. She obtained her habilitation in literary studies in 2017. She is currently an associate professor at the Department of Hispanic Studies of the University of Szeged. Her research interests include Spanish literature, Federico García Lorca's theatre and its reception in Hungary, 20th-21st century Spanish theatre, theatre of memory, Spanish-Hungarian literary translation, and the examination of the reception of Spanish theatre in Hungary from the 19th century to the present day. She is the author of more than sixty articles published in journals and anthologies, 18 book chapters, three Hungarian and two Spanish-language monographs. She is the translator of eight contemporary Spanish dramas published in two thematic volumes. Her books and translations have been published by publishers in Szeged (JATEPress), Budapest (L'Harmattan), Huelva (UHU) and Madrid (Verbum). Her latest book, El teatro español en Hungría, was published in 2022 (Madrid: Verbum).