Making the subject : performative genders in Carson McCullers' The ballad of the sad cafe and David Hwang's M. Butterfly

Most read articles by the same author(s)

• Enikő Bollobás, Plots of Domination, Plots of Relationality. , AMERICANA E-journal of American Studies in Hungary: Vol. 15 No. 1 (2019)
• Enikő Bollobás, America and American studies , AMERICANA E-journal of American Studies in Hungary: Vol. 14 No. 1 (2018): Spring
• Enikő Bollobás, Tropes of intersubjectivity : metalepsis and rhizome in the novels of H. D. (Hilda Doolittle) , AMERICANA E-journal of American Studies in Hungary: Vol. 7 No. 2 (2011): Fall
• Enikő Bollobás, Writing on the margins of sound and sight : Augusto de Campos and transnational poetic traditions , AMERICANA E-journal of American Studies in Hungary: Vol. 14 No. 1 (2018): Spring
• Enikő Bollobás, The modernist Shakespeare - European studies in scholarly ekphrasis , AMERICANA E-journal of American Studies in Hungary: Vol. 11 No. 2 (2015): Fall
• Enikő Bollobás, Of fairies and freaks one editor, two collections , AMERICANA E-journal of American Studies in Hungary: Vol. 9 No. 1 (2013): Spring
• Enikő Bollobás, The marking and the telling - versions of the stigma narrative as given by Anne Hutchinson, Emily Dickinson and Philip Roth , AMERICANA E-journal of American Studies in Hungary: Vol. 5 No. 2 (2009): Fall