Volume VII, Number 2, Fall 2011
Guest Editor's Introduction
Essays
- "Anti-Americanism in Europe after 9/11. Remapping the U.S. in the European (Social) Imaginary" by Marius Jucan
- "’Interested’ versus ‘Disinterested’: Can Iconography Be ‘Innocent’?" by Zsolt Virágos
- "Hegemonic Masculinity Affirmed: Representations of Gender in Queer Eye for the Straight Guy" by Irén Annus
- "Obama and Language: Language Policy Areas and Goals in Presidential Communication" by Sándor Czeglédi
- "The Portrait of a First Lady: Michelle Obama as an Icon of American History" by Dorottya Sziszkoszné Halász
- "Presidential Images: African-American Presidents in the Television Series 24 and Barack Obama’s Election Victory" by Károly Pintér
- "From Thoreau to Muir: Changes in Nineteenth-Century American Conceptions of the Environment" by Robert E. Bieder
- "Authoress and Businesswoman: Success, Money and Gender in Gone with the Wind" by Krisztina Lajterné Kovács
- "The Carnivalesque Image of America in the Different Versions of Chicago" by Zsófia Anna Tóth
- "Irony and Self in Bernard Malamud's ’Angel Levine’" by Katalin Szlukovényi
- "Alice Munro’s Canadian Gothic: An Ill-Fitting Spatial Gothic Paradigm? " by Andrea F. Szabó
- "Playing with the Rules: Thoughts on a Trickster Spirit and the Soul of Comedy" by Eric Weitz
- "Tropes of Intersubjectivity: Metalepsis and Rhizome in the Novels of H.D. (Hilda Doolittle)" by Enikő Bollobás
- "Masks and Narratives: The Problem of Mask Lyrics" by István D. Rácz
- "'Sons of the Forest': The Native American Jeremiad Materialized in the Social Protest Rhetoric of William Apess, 1829-1836" by Willie J. Harrell, Jr.
- "A Critique of Post-feminism" by Zsófia Kulcsár
- "An American Take on Mythic Mexico and its Revolution in The Wild Bunch" by Alia Haddad
Reviews
- "Abundance, rather than lack: Review of Postmodern Reinterpretations of Fairy Tales. How Applying New Methods Generates New Meanings edited by Anna Kérchy" by Larisa Kocic-Zámbó
- "Still This Book: A Review of Marcus Boon’s In Praise of Copying" by Péter Kristóf Makai
Cover photograph © by Anna Szentgyörgyi (Komplementerek/Complementarity, Chicago.)
The Project named "TÁMOP-4.2.1/B-09/1/KONV-2010-0005 – Creating the Center of Excellence at the University of Szeged" is supported by the European Union and co-financed by the European Social Fund
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